Hassell appeared live on the evening of September 18, 1985, in conversation with host and DJ Deirdre O’Donoghue. Lang, and countless others.įrom the archives, we present a long-unheard interview from KCRW’s “SNAP!” program. (We recommend “ Dream Theory in Malaya: Fourth World Volume Two.”) He released his final album, “Seeing Through Sound,” in 2020.Īn in-demand sideman, Hassell also lent his unmistakable style to records by Talking Heads, Peter Gabriel, David Sylvian, Stina Nordenstam, Tears For Fears, k.d. 1: Possible Musics,” a 1980 collaboration with Brian Eno.Īny number of Hassell’s albums are now considered compulsory listening for music fans looking to expand their awareness of music’s possibilities. He first explored the concept in his groundbreaking 1977 solo debut, “ Vernal Equinox,” but his most indelible recording in that vein is “ Fourth World, Vol. Įlectrified by the lessons he learned from the Kirana gharana vocal tradition, Hassell developed his “fourth world” concept: a powerfully abstract synthesis of modern electronics and traditional musical modes. His circle soon expanded to include La Monte Young and Marian Zazeela, whose interest in Indian music led to their joint study with Indian classical singer Pandit Pran Nath. Their kinship led to Hassell’s participation in the landmark CBS Masterworks recording of Riley’s “ In C,” released in 1968. An early student of musical serialism, Hassell went abroad after graduation to study at Stockhausen’s Cologne Course for New Music. The iconoclastic composer and trumpet player Jon Hassell died on June 26 at the age of 84.
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