![]() Nobody (and especially no template) will create a good mix from a bad recording. And most importantly, you will learn how to produce good quality from step one. Mixing is hard, but if you trust your ears and just collect some experience, you will get there soon enough. So to me it sounds not exactly like scam, but like a poor product with limited applicability together with dishonest marketing to take advantage of those who believe that mixing is too hard for them to master. So it seems they deliberately made a very bad mix from good source material to show their point. ![]() ![]() If you did that already, it’s extremely unlikely that you’re so incompetent to create the ‘before’ mix they show by making the room ambient channel so dominant. If you want to get the result they present as “after”, you would have put quite a bit of thought into microphone placement before already, close miking the individual drum elements. The before sample sounds like a recording with badly placed microphones and a lot of room ambience. The examples of the differences before/after are also very likely not authentic. You cannot sensibly separate the recording process from the mixing process in a way that would allow for generic templates. Even if I mix songs from the same genre, there are few commonalities that would allow templating. Mix templates are not something that really works in practice. The new version is now available for download by Cubase 12 users.I think this is probably a waste of money. In addition to everything mentioned, Steinberg has published a statement with all the minor improvements and fixes included in Cubase 12.0.10, which are more than 30. ![]() From Steinberg they assure that part of these problems have already been resolved, but that they continue to be aware of others that will be resolved as quickly as possible. have also been made improvements that affect the performance of the applicationafter receiving numerous reports from its users regarding excessive consumption and other problems with the launch of Cubase 12. like the option to freeze and unfreeze multiple tracks at the same time, which is now equally available in the new version. Although Nuendo users will be very familiar with what they are going to see, since it is not far from the Dolby Atmos implementation of the German post-production DAW.Īdditionally, Cubase 12.0.10 also bring a trial versionand, as we are reminded from Steinberg, no longer requires an eLicenser key to work, which will certainly simplify things quite a bit and save one more headache. In the video that opens the news you can see how it is configured and how it works. Something that they can even do with headphones thanks to its mixing function in binaural mode. In Steinberg they say they are excited about this new version, since with it they present the promised support for Dolby Atmos that, thanks to the Dolby Atmos Renderer and the VST MultiPanner, will allow its users to explore new ways of mixing without the need for any additional software. And so much so, that a month and 10 days later they are already resolved with the arrival of Cubase 12.0.10. Two questions that from Steinberg assured they would be available very soon. But there were two things in particular that weren’t ready that day: a demo version that would allow you to try out the company’s brand new DAW, and support for mixes in Dolby Atmos. Cubase version 12 arrived on March 2 with very important news for its users, such as goodbye to the eLicenser system, support for Apple Silicon and many other functions and tools.
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